

Chloe Reynolds is a retired professional ballet dancer and esteemed
dance educator with a career spanning performance, choreography, and teaching.
She was trained at some of the nation’s most prestigious institutions such as the
Joffrey Ballet School, Hartford Ballet, and the School of American Ballet (NYC Ballet's
school). She developed a deep technical foundation and and studied with
some of the most renown teachers in the world such as... Kirk Peterson
(Hartford Ballet, ABT), Franco Devita (Hartford Ballet, ABT), Raymond Lukens (Hartford Ballet, ABT), Suki Shorer (NYC Ballet), Katrina Killian (NYC Ballet),
Alla Osipenko (Kirov Ballet, Hartford Ballet), and the great Gelsey Kirkland
(NYC Ballet). Her commitment and dedication payed off as her career blossomed.
Throughout her professional career, Chloe Reynolds danced with
companies including Hartford Ballet, Staten Island Ballet, and Ballet Tech,
and served as Principal Dancer with Urban Ballet Theater, where she
earned acclaim for her expressive artistry and commanding stage presence in the New York Times. She had the privilege of performing at historic venues such as the Hollywood Bowl, Jacobs Pillow, The Bushnell, and The Joyce Theater as well as many other theaters all over the United States. She also had great fun modeling for Capezio dancewear and other brands.
After retiring from the stage, Chloe Reynolds dedicated her passion to
teaching, sharing her expertise through master classes and workshops
across the country. She taught at schools such as MOSA Dance Academy in Long Island NY, and Abrons Arts Center in NYC. She was the Assistant Director of Dance at AAC and became Ballet Master of Urban Ballet Theatre, NYC. She loves mentoring the next generation of dancers with the same discipline and creativity that defined her own career.
Now, as the founder of Biddeford Ballet, she brings her knowledge, artistry and guidance to a new home — a place where dancers of all ages can discover their potential, refine their craft, and experience the joy of movement.


"Chloe Reynolds, the most classically trained of the company dancers, stood out in every work, especially in Tangoed, which combined modern and balletic moves. Slung by Robert Brown onto his shoulder, she thrust up her limbs in a hiccoughing, unique phrase."
-DANCE MAGAZINE 2005


